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Raymond Bellour
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English
The Analysis of Filmby Constance Penley, Raymond BellourISBN 0253337003 (0-253-33700-3)
Hardcover, Indiana Univ Pr
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The Analysis of Filmby Raymond Bellour , Constance PenleyISBN 0253213649 (0-253-21364-9)
Softcover, Indiana Univ Pr
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The Cinematicby Raymond Bellour , Constance PenleyISBN 0262532883 (0-262-53288-3)
Softcover, Mit Pr
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› Find signed collectible books: 'The Cinematic'Book summary:The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.Still photography--cinema's ghostly parent--was eclipsed by the medium of film, but also set free. The rise of cinema obliged photography to make a virtue of its own stillness. Film, on the other hand, envied the simplicity, the lightness, and the precision of photography. Russian Constructivist filmmakers considered avant-garde cinema as a sequence of graphic "shots"; their Bauhaus, Constructivist and Futurist photographer contemporaries assembled photographs into a form of cinema on the page. In response to the rise of popular cinema, Henri Cartier-Bresson exalted the "decisive moment" of the still photograph. In the 1950s, reportage photography began to explore the possibility of snatching filmic fragments. Since the 1960s, conceptual and postconceptual artists have explored the narrative enigmas of the found film still. The Cinematic assembles key writings by artists and theorists from the 1920s on--including László Moholy-Nagy, Pier Paolo Pasolini, Victor Burgin, Jeff Wall, and Catherine David--documenting the photography-film dialogue that has enriched both media.
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David Claerbout: The Shape of Timeby Raymond BellourISBN 390582938X (3-905829-38-X)
Softcover, Jrp Ringier Kunstverlag Ag
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Eye for I: Video Self-Portraitsby Raymond BellourISBN 091636514X (0-916365-14-X)
Softcover, Independent Curators
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James Colemanby James Coleman, George Baker, Raymond BellourISBN 0262523418 (0-262-52341-8)
Softcover, Mit Pr
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Jean-Luc Godard: Son + Image 1974-1991by Raymond BellourISBN 0810961148 (0-8109-6114-8)
Hardcover, Distributed Art Pub Inc
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Jean-Luc Godard: Sound-Image 1974-1992by Raymond BellourISBN 087070348X (0-87070-348-X)
Hardcover, Distributed Art Pub Inc
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L'entre-Images: Photo, Cinema, Videoby Raymond BellourISBN 2729114343 (2-7291-1434-3)
Hardcover, Difference
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A Propos Du CD-ROM Immemory De Chris Markerby Raymond Bellour , Laurent RothISBN 2858509425 (2-85850-942-5)
Softcover, Y. Gevaert
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uvres Completesby Henri Michaux, Raymond Bellour , Yse TranISBN 2070114023 (2-07-011402-3)
Hardcover, Gallimard
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French
Le Cinema Americainby Raymond BellourISBN 2080642073 (2-08-064207-3)
Hardcover, Flammarion
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L'entre-Images: Photo, Cinema, Videoby Raymond BellourISBN 2729105336 (2-7291-0533-6)
Hardcover, La Difference
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Henri Michauxby Raymond BellourISBN 285197047X (2-85197-047-X)
Hardcover, Editions de L'Herne
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Henri Michaux Ou Une Mesure De L'etreby Raymond BellourISBN 0320049434 (0-320-04943-4)
Softcover, French & European Pubns
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Henri Michaux: Peinturesby Henri Michaux, Raymond Bellour , Alfred PacquementISBN 2070730336 (2-07-073033-6)
Hardcover, Gallimard
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Le Livre Des Autres: Entretiens Avec M. Foucault ... [et Al.]by Michel Foucault, Raymond BellourISBN 226400942X (2-264-00942-X)
Hardcover, Union generale d'editions
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Oubliby Raymond BellourISBN 2729107770 (2-7291-0777-0)
Hardcover, Editions de La Difference
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Partages De L'ombreby Raymond BellourISBN 2729114173 (2-7291-1417-3)
Hardcover, La Difference
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Recherches Poietiquesby Raymond Bellour , Centre National De LA Recherche Scientifique (France)ISBN 2252017228 (2-252-01722-8)
Hardcover, Klincksieck
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Le Temps D'un Mouvement: Aventures Et Mesaventures De L'instant Photographiqueby Raymond Bellour , Centre national de la photographie (France)ISBN 2867540356 (2-86754-035-6)
Hardcover, Centre national de la photographie avec le concours du Ministere de la culture et de la communication
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uvres Completesby Henri Michaux, Raymond Bellour , Yse TranISBN 2070114015 (2-07-011401-5)
Hardcover, Gallimard
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› Find signed collectible books: 'uvres Completes'Book summary:Ce volume contient les oeuvres suivantes : Quelques renseignements sur cinquante-neuf années d'existence - Premiers écrits (1922-1926) - Qui je fus - Ecuador - Un Barbare en Asie - La Nuit remue - Plume, précédé de Lointain intérieur - Peintures - Arbres des Tropiques - Tu vas être père - L'Espace du dedans (Table) - Épreuves, exorcismes - Peintures et dessins - Critiques, hommages, conférences (1927-1946) - Textes épars - En marge des recueils S'il veut se coucher lui-même sur le papier, et non une uvre, et non une île de soi-même, il tranche dans sa chair et voilà...» écrivait emblématiquement Michaux dès 1926. De ses premiers écrits (1922-1926) et jusqu'à ses derniers recueils, l' uvre de Michaux va se déplier - à travers plus de vingt livres ou recueils, un tourbillon de plaquettes, de livres illustrés et de textes dispersés -, en proie à une fragmentation éperdue qui constitue son rythme propre et peut-être aussi son «genre». Rythme d'un corps, c ur frêle, souffle court, dont il aura fallu admettre, d'emblée, bien que sans jamais l'accepter, la limite, pour découvrir son propre illimité. Genre qui conjugue et déplace tous ceux de la «littérature» : récits, poèmes, poèmes en prose, fables, contes, confessions, journal, aphorismes, etc.À la suite de chaque recueil, une section «En marge» donne à lire l'ensemble des textes qui lui sont liés d'une manière ou d'une autre : fragments manuscrits inédits, textes publiés dans des revues ou des plaquettes et jamais repris, etc.Chaque volume contient des «Textes épars» recueillis pour la première fois. [via]
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