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› Find signed collectible books: 'Amphitryon and Two Other Plays'
Plautus wrote upwards of fifty plays, of which twenty have survived.
This anthology includes his best plays and also seeks to give some idea of his range. His forte was farce, and these selections exemplify at least two of his favorite farcical devices: mistaken identity (Amphitryon) and the lecherous old codger (Casina). The Pot of Gold reveals what Plautus could do with the subtler humor to be evoked from character. [via]More editions of Amphitryon and Two Other Plays:
› Find signed collectible books: 'The Captiva'
TYND. You act just as you ought to act; now I wish you to give attention. In the first place of all, carry my respects to my mother and my father, and to my relations, and if any one else you see well- disposed towards me: say that I am in health here, and that I am a slave, in servitude to this most worthy man, who has ever honored me more and more with his respect, and does so still. [via]
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› Find signed collectible books: 'The Captiva and the Mostellaria'
In it a young man called Philolaches is having a great time while his father is away on business. Philolaches has also borrowed a lot of money to buy the freedom of the slave-girl he loves. One day he is having a house party with many friends, when his slave Tranio interrupts the merry-making to announce that Philolaches' father has returned unexpectedly and will arrive from the harbour at any minute. Amid the general panic, Tranio has an idea. He hustles Philolaches and his friends into the house and locks the door. The father now arrives. Tranio greets him respectfully but pretends that it is dangerous to enter the house because it is haunted. Unfortunately, at this moment a money-lender turns up to claim the money that Philolaches borrowed. Tranio thinks quickly and pretends that the money was borrowed to buy the house next door. Even when Philolaches' father meets the real owner of the house, Tranio manages to hide the truth for some time, but he is found out at last and jumps onto the top of an altar to escape punishment. All ends happily, however, when one of Philolaches' friends arrives and persuades the father to forgive his son. Even Tranio is forgiven. [via]
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› Find signed collectible books: 'The Captivi of Plautus'
This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages. [via]
› Find signed collectible books: 'Casina'
Plautus' Casina is a lively and well composed farce. The plot, which concerns the competition of a father and his son for the same girl and the various scurrilous tricks employed in the process, gives full scope to Plautus' inventiveness and richly comic language. The editors' aim is to establish the play as one of the liveliest of ancient comedies, and in their introduction and notes to make the reader continually aware of the conditions of an actual stage performance. They discuss the background and conventions of Roman comedy and by offering a complete metrical analysis they help the reader to appreciate the original musical structure of the play. The edition is intended primarily for use by students at school and university but will be of value to anyone interested in reading the play in the original. [via]
› Find signed collectible books: 'Classical Comedy'
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› Find signed collectible books: 'Comoediae: Amphitruo, Asinaria, Aulularia, Bacchides, Captivi, Casina, Cistellaria, Curculio, Epidicus, Menaechmi, Mercator'
Contents include: Andria, Heauton Timorumenos, Eunuchus, Phormio, Heyra, Adelphoe. [via]
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› Find signed collectible books: 'Comoediae: Miles Gloriosus, Mostellaria, Persa, Poenulus, Pseudolus, Rudens, Stichus, Trinummus, Truculentus, Vidularia, Fragmenta'
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› Find signed collectible books: 'Four Comedies'
› Find signed collectible books: 'Menaechmi, or the Twin-brothers'
Considered to be Plautus's greatest play, "Menaechmi; Or, The Twin-Brothers" is the story of two twin brothers, Menaechmus and Sosicles, who are separated at age seven when their father takes Menaechmus on a business trip. This classic play, which provided the inspiration for Shakespeare's "Comedy of Errors", draws heavily on the theme of mistaken identity. [via]
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› Find signed collectible books: 'Mostellaria or the Haunted House'
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› Find signed collectible books: 'Plauti Truculentus'
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› Find signed collectible books: 'Plautus'
Plautus (Titus Maccius), born about 254 BCE at Sarsina in Umbria, went to Rome, engaged in work connected with the stage, lost his money in commerce, then turned to writing comedies.
Twenty-one plays by Plautus have survived (one is incomplete). The basis of all is a free translation from comedies by such writers as Menander, Diphilus, and Philemon. So we have Greek manners of Athens about 300250 BCE transferred to the Roman stage of about 225185, with Greek places, people, and customs, for popular amusement in a Latin city whose own culture was not yet developed and whose manners were more severe. To make his plays live for his audience, Plautus included many Roman details, especially concerning slavery, military affairs, and law, with some invention of his own, notably in management of metres. The resulting mixture is lively, genial and humorous, with good dialogue and vivid style. There are plays of intrigue (Two Bacchises, The Haunted House, Pseudolus); of intrigue with a recognition theme (The Captives, The Carthaginian, Curculio); plays which develop character (The Pot of Gold, Miles Gloriosus); others which turn on mistaken identity (accidental as in the Menaechmi; caused on purpose as in Amphitryon); plays of domestic life (The Merchant, Casina, both unpleasant; Trinummus, Stichus, both pleasant).
The Loeb Classical Library edition of Plautus is in five volumes.
[via]
› Find signed collectible books: 'Plautus Captivi'
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› Find signed collectible books: 'Plautus: Casina, the Casket Comedy, Curculio, Epidicus, the Two Menaechmuses'
Plautus (Titus Maccius), born about 254 BCE at Sarsina in Umbria, went to Rome, engaged in work connected with the stage, lost his money in commerce, then turned to writing comedies.
Twenty-one plays by Plautus have survived (one is incomplete). The basis of all is a free translation from comedies by such writers as Menander, Diphilus, and Philemon. So we have Greek manners of Athens about 300250 BCE transferred to the Roman stage of about 225185, with Greek places, people, and customs, for popular amusement in a Latin city whose own culture was not yet developed and whose manners were more severe. To make his plays live for his audience, Plautus included many Roman details, especially concerning slavery, military affairs, and law, with some invention of his own, notably in management of metres. The resulting mixture is lively, genial and humorous, with good dialogue and vivid style. There are plays of intrigue (Two Bacchises, The Haunted House, Pseudolus); of intrigue with a recognition theme (The Captives, The Carthaginian, Curculio); plays which develop character (The Pot of Gold, Miles Gloriosus); others which turn on mistaken identity (accidental as in the Menaechmi; caused on purpose as in Amphitryon); plays of domestic life (The Merchant, Casina, both unpleasant; Trinummus, Stichus, both pleasant).
The Loeb Classical Library edition of Plautus is in five volumes.
[via]More editions of Plautus: Casina, the Casket Comedy, Curculio, Epidicus, the Two Menaechmuses:

› Find signed collectible books: 'Selections from Plautus With Introduction and Notes by Km Westaway'
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› Find signed collectible books: 'The Storm: Or The Howler'
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› Find signed collectible books: 'T. MacCi Plauti Pseudolus'
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› Find signed collectible books: 'Aulularia / Goldtopf-Komödie. Reclams Universal-Bibliothek: Band 9898'
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› Find signed collectible books: 'Der glorreiche Hauptmann. Reclams Universal-Bibliothek: Band 8031'
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› Find signed collectible books: 'Truculentus'
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› Find signed collectible books: 'Amphitruo'
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› Find signed collectible books: 'Amphitrvo'
This is the first edition of Platus' Amphitruo to appear in English for approximately forty years. It contains introductory essays, Latin text and a line-by-line commentary. Students will find this an indispensable tool in reading and translating the play, which was enormously popular in antiquity and has inspired modern adaptations by Molière, Giraudoux and Harold Pinter, among others. Dr. Christenson makes use of both current critical approaches to theater and traditional classical scholarship to offer many new insights into this delightful comedy. [via]
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