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› Find signed collectible books: 'Being a Writer: A Community of Writers Revisited'
Being A Writer is a brief rhetoric that explores writing processes with an emphasis on their variety; invention, with an emphasis on its playfulness; revision as a technique of invention; collaboration as a means of revision; and personal engagement in academic writing, from literary analysis to argument.
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› Find signed collectible books: 'A Community of Writers: A Workshop Course in Writing'
This text provides a workshop approach to the teaching of composition. It addresses students as writers, challenging them to develop their skills by writing often, by exploring their writing processes, and by sharing their writing with others. The flexible workshops allow an instructor to organize and orient their course individually, and the book integrates readings - both student and professional - throughout. It also contains more than 100 writing assignments. [via]
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› Find signed collectible books: 'A Community of Writers: A Workshop Course in Writing, Sharing and Responding Guide'
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› Find signed collectible books: 'A Community of Writers Telecourse'
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› Find signed collectible books: 'Community of Writers: Telecourse Version'
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› Find signed collectible books: 'Community of Writers: Tes2'
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› Find signed collectible books: 'Embracing Contraries: Explorations in Learning And Teaching'
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› Find signed collectible books: 'Sharing and Responding'

› Find signed collectible books: 'Writing With Power: Techniques for Mastering the Writing Process'
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› Find signed collectible books: 'Writing Without Teachers'
If Peter Elbow's Writing Without Teachers seems to have come into being at the same time as '70s encounter groups, that's because it did. First published in 1976, Writing Without Teachers advocates improving your writing via freewriting and the "teacherless writing class." Freewriting, according to Elbow, is a terrific way to get things onto the page that you never knew you had in you: "Never stop ... to wonder what word or thought to use, or to think about what you are doing." Only after you have finished writing should you contemplate editing. And though much of what you produce when freewriting will be real garbage, Elbow promises that the best parts will be far better than anything you could have written otherwise. "You will use up more paper," he warns, "but chew up fewer pencils."
The teacherless writing class is Elbow's other key to unlocking the writer within. Elbow prefers these groups to those with teachers, because a teacher, he says, "usually isn't in a position where he can be genuinely affected by your words." In a teacherless group, the other participants "give you better evidence of what is unclear in your writing." Elbow insists that members of a writing group disregard conventional theories of "good" and "bad" writing, urging instead that they react to one another's work in a more subjective manner. The ultimate goal, he says, is for the group process to help each writer improve his or her ability to decide "which parts of [his or her] own writing to keep and which to throw away." --Jane Steinberg [via]
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