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Noél Carroll (Noel Carroll / Noël Carroll / Carroll, Nöel / Carroll, Noél / Carroll, Noel / Carroll, Noël)
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Engaging the Moving ImageISBN 0300091958 (0-300-09195-8)
Hardcover, Yale Univ Pr
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The Films of Sergei EisensteinISBN 0521385695 (0-521-38569-5)
Hardcover, Cambridge University Press
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The Frankenstein Film SourcebookISBN 0313313504 (0-313-31350-4)
Hardcover, Greenwood Pub Group
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Interpreting the Moving ImageISBN 0521580390 (0-521-58039-0)
Hardcover, Cambridge Univ Pr
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Living in an Art WorldISBN 041591938X (0-415-91938-X)
Softcover, Routledge
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Mystifying Movies: Fads and Fallacies in Contemporary Film TheoryISBN 0231059558 (0-231-05955-8)
Softcover, Columbia Univ Pr
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On CriticismISBN 0415396204 (0-415-39620-4)
Softcover, Routledge
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Philosophy of Art: A Contemporary IntroductionISBN 0415159644 (0-415-15964-4)
Softcover, Routledge
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The Philosophy of Horror or Paradoxes of the HeartISBN 0415902169 (0-415-90216-9)
Softcover, Routledge
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A Philosophy of Mass ArtISBN 0198742371 (0-19-874237-1)
Softcover, Oxford Univ Pr
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› Find signed collectible books: 'A Philosophy of Mass Art'Book summary:We live in a world surrounded by mass art. Movies, TV, pulp literature, comics, rock music--both broadcast and recorded--surround us everywhere. Yet despite the fact that for the majority of people mass art supplies the primary source of aesthetic experience, the area has been neglected entirely by analytical philosophers of art.
In this pathbreaking new book, a leading philosopher of art provides an accessible and wide-ranging look at the topic. Noel Carroll shows why philosophers have previously resisted and/or misunderstood mass art and he develops frameworks for understanding the relation of mass art to the emotions, morality, and ideology. He also discusses the major theories of such pivotal figures as Collingwood, Adorno, Benjamin, McCluhan, and Fiske. Mixing conceptual analysis with many vivid examples, Carroll forges the first significant attempt at a philosophy of mass art, concluding that there are strong grounds for approaching mass art in the same fashion as high art. [via]More editions of A Philosophy of Mass Art:
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Post-Theory: Reconstructing Film StudiesISBN 0299149447 (0-299-14944-7)
Softcover, Univ of Wisconsin Pr
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› Find signed collectible books: 'Post-Theory: Reconstructing Film Studies'Book summary:Dissatisfied with the vast body of film criticism bound to the theories of Sigmund Freud and his disciple Jacques Lacan, David Bordwell and Noel Carroll have compiled a group of essays that pursue alternative routes. "If there is an organizing principle to the volume," they write in their introduction, "it is that solid film scholarship can proceed without employing the psychoanalytic frameworks routinely mandated by the cinema studies establishment." These essays tackle films of many genres and from many countries. Looking through the lenses of the anthropologist, the economist, the social critic, the formalist, the aesthetician, the narratologist, and the cultural historian, the essayists in this volume offer original, diverse, and erudite perspectives on the art of the movies. [via]
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Post-Theory: Reconstructing Film StudiesISBN 0299149404 (0-299-14940-4)
Hardcover, Univ of Wisconsin Pr
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Theories of Art TodayISBN 0299163547 (0-299-16354-7)
Softcover, Univ of Wisconsin Pr
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› Find signed collectible books: 'Theories of Art Today'Book summary:What is art? The contributors to Theories of Art Today address the assertion that the term art no longer holds meaning. They explore a variety of issues including: aesthetic and institutional theories of art, feminist perspectives on the philosophy of art, the question of whether art is a cluster concept, and the relevance of tribal art to philosophical aesthetics. Contributors to this book include such distinguished philosophers and historians as Arthur Danto, Joseph Margolis, and George Dickie.
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Theorizing the Moving ImageISBN 0521466075 (0-521-46607-5)
Softcover, Cambridge Univ Pr
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