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› Find signed collectible books: 'Black Snow: A Theatrical Novel'
To those living in the West, the Russian writer Mikhail Bulgakov is known as a fiction writer, his reputation resting largely on his greatly-loved novel The Master and Margarita. During his life in the Soviet Union (1891-1940), however, Bulgakov's biggest career successes came as a playwright in the immensely influential Moscow theater. The novel Black Snow, is Bulgakov's lampoon of that entire pre-war Russian drama scene, complete with a fictional version of his nemesis, the great Stanislavsky (of method acting fame). The book is a writer's story about hapless Maxuduv, an unlucky author (not unlike Bulgakov himself) who is torn apart under the insane forces, overcooked egos, and political machinations that rumbled through the world of the theater at that time. [via]
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› Find signed collectible books: 'Bulgakov: Flight'
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› Find signed collectible books: 'Bulgakov: Six Plays'
Mikhail Bulgakov was one of the Soviet Union's finest playwrights, whose work was often at odds with the Soviet State. This volume brings together his major dramatic achievements, including The White Guard, Madame Zoyka, Flight, Molière, Adam and Eve and The Last Days.
Bulgakov is a much-studied author by schools, colleges and universities.
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› Find signed collectible books: 'A Country Doctor's Notebook'
With the ink still wet on his diploma, the twenty-five-year-old Dr Mikhail Bulgakov was flung into the depths of rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light. How his alter-ego copes (or fails to cope) with the new and often appalling responsibilities of a lone doctor in a vast country practice - on the eve of Revolution - is described in Bulgakov's delightful blend of candid realism and imaginative exuberance. [via]
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› Find signed collectible books: 'A Dead Man's Memoir: A Theatrical Novel'
This is Bulgakov's semi-autobiographical story of a writer who fails to sell his novel and fails to commit suicide. When his play is taken up by the theatre, literary success beckons, but he has reckoned without the grotesquely inflated egos of the actors, directors and theatre managers. [via]
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› Find signed collectible books: 'Diaboliad'
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› Find signed collectible books: 'The Early Plays of Mikhail Bulgakov'
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› Find signed collectible books: 'Flight and Bliss'
› Find signed collectible books: 'Heart of a Dog'
This early novella from Mikhail Bulgakov, published in 1925, already shows the surreal comic genius that later produced The Master and Margarita, the writer's masterpiece. A kind of Frankenstein parable, Heart of a Dog is the story of a stray dog that gains a human intelligence after a prominent Moscow professor transplants human glands into the unfortunate canine's body. [via]
› Find signed collectible books: 'Heart of a Dog'
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› Find signed collectible books: 'The Life of Monsieur De Moliere'
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› Find signed collectible books: 'The Master And Margarita'
A mysterious stranger and his retinue have astonished the locals of Stalins Moscow with the magic show to end all magic shows and have quite literally set the town alight. But whats the real purpose behind their visit?
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› Find signed collectible books: 'MASTER AND MARGARITA'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'The Master and Margarita'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'Master I Margarita'
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› Find signed collectible books: 'Mikhail Bulgakov's Master & Margarita Or, the Devil Comes to Moscow'
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› Find signed collectible books: 'Moliere: Or the Union of Hypocrites'
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› Find signed collectible books: 'Notes on the Cuff and Other Stories'
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› Find signed collectible books: 'Sobranie Sochinenii: Povesti'
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› Find signed collectible books: 'The White Guard'
The White Guard is less famous than Mikhail Bulgakov's comic hit, The Master and Margarita, but it is a lovely book, though completely different in tone. It is set in Kiev during the Russian revolution and tells a story about the war's effect on a middle-class family (not workers). The story was not politically correct and thereby contributed to Bulgakov's lifelong troubles with the Soviet authorities. It was, however, well-loved, and the novel was turned into a successful play at the time of its publication in 1967. [via]

› Find signed collectible books: 'The White Guard'
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› Find signed collectible books: 'The White Guard'
The White Guard is less famous than Mikhail Bulgakov's comic hit, The Master and Margarita, but it is a lovely book, though completely different in tone. It is set in Kiev during the Russian revolution and tells a story about the war's effect on a middle-class family (not workers). The story was not politically correct and thereby contributed to Bulgakov's lifelong troubles with the Soviet authorities. It was, however, well-loved, and the novel was turned into a successful play at the time of its publication in 1967. [via]
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› Find signed collectible books: 'Zoyka's Apartment: A Tragic Farce in Three Acts'
Zoyka's Apartment captures the exotic image and the real heartbeat of an amazing city at a fascinating moment: Moscow in the Soviet equivalent of the roaring 20's, in a pause between the cyclone of the revolution and the inferno of the purges, a window of desperate opportunity. Tremendous danger mingles with heady excitement, as everyone scrambles to get together as many rubles as possible and escape to Paris before the inevitable crackdown.
How will smart, bold, practical Zoyka manage to get enough rubles in a hurry? Her only assets are a large apartment and an even larger imagination... [via]
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