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› Find signed collectible books: 'House of Leaves'
I still get nightmares. In fact I get them so often I should be used to them by now. I'm not. No one ever really gets used to nightmares.Mark Z. Danielewski's first novel House of Leaves is a multi-layered fiction--part horror-story, part philosophical meditation, and mostly very good storytelling. The Navidson family move into a house in Ash Tree Lane. Will Navidson, a Pulitzer Prize-winning photojournalist, decides to document his family's domestic acclimatisation in a film, The Navidson Record, but it soon becomes apparent that something is very wrong with the house, and the film becomes a document of the growing disorientation and terror of the occupants. Later, a blind old man, Zampano, writes about this film: at his death, his papers are in disarray, and the strange narrative and commentary are reconstructed by Johnny Truant, a young LA slacker working part-time in a tattoo parlour. Try as he might, though, Truant can find no record that the film ever existed, but the unaccountable fear begins to haunt him too.
Ever see yourself doing something in the past and no matter how many times you remember it you still want to scream stop, somehow redirect the present, reorder the action?
Danielewski builds, around the armature of the central horror fiction, a complex and involving portrait of three very different characters: Truant's hedonistic trawls through LA are counterpointed by Zampano's intellectual obsessiveness and by the disintegration of Navidson's "cosy little outpost." What is common to all three is a concern for the elusive nature of truth and experience, and the fragility of the deepest human needs for security and family.
A first, casual glance through the book might initially be intimidating, for Danielewski uses an arsenal of post-modern and avant-garde techniques, from multiple typefaces, footnotes and collage to the insertion of photographs, sketches, a page of Braille, and even an index--these are introduced gradually, however, and used almost cinematically to slow down or speed up the reading experience. The use of devices like these is not new of course, but, akin to writers such as David Foster Wallace and Jeff Noon, Danielewski freely unites avant-garde and popular art forms, finding new ways to explore what is, at heart, a deep interest in the addictive properties of narrative. Elsewhere, House of Leaves has already been compared to the film The Blair Witch Project for its mix of pseudo-documentary and genre horror: such comparisons draw attention to the way in which many young writers and film-makers are reinventing tired and formulaic genre traditions.
The book begins "This is not for you": a warning most readers would do well to ignore, for House of Leaves, despite its occasional stylistic overload, is a book that is near impossible to stop reading. --Burhan Tufail. [via]
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› Find signed collectible books: 'Only Revolutions'
Sam:
They were with us before Romeo & Juliet. And long after too. Because theyre forever around. Or so both claim, carolling gleefully:
Were allways sixteen.
Sam & Hailey, powered by an ever-rotating fleet of cars, from Model T to Lincoln Continental, career from the Civil War to the Cold War, barrelling down through the Appalachians, up the Mississippi River, across the Badlands, finally cutting a nation in half as they try to outrace History itself.
By turns beguiling and gripping, finally worldwrecking, Only Revolutions is unlike anything ever published before, a remarkable feat of heart and intellect, moving us with the journey of two kids, perpetually of summer, perpetually sixteen, who give up everything except each other.
Hailey:
They were with us before Tristan & Isolde. And long after too. Because theyre forever around. Or so both claim, gleefully carolling:
Were allways sixteen.
Hailey & Sam, powered by an ever-rotating fleet of cars, from Shelby Mustang to Sumover Linx, careen from the Civil Rights Movement to the Iraq War, tearing down to New Orleans, up the Mississippi River, across Montana, finally cutting a nation in half as they try to outrace History itself.
By turns enticing and exhilarating, finally breathtaking, Only Revolutions is unlike anything ever conceived before, a remarkable feat of heart and intellect, moving us with the journey of two kids, perpetually of summer, perpetually sixteen, who give up everything except each other. [via]
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› Find signed collectible books: 'The Whalestoe Letters'
Between 1982 and 1989, Pelafina H. Lièvre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love.
Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters. [via]
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