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› Find signed collectible books: 'The Deluxe Transitive Vampire: The Ultimate Handbook of Grammar for the Innocent, the Eager, and the Doomed'
Karen Elizabeth Gordon is no ordinary grammarian, and her works (including The New Well-Tempered Sentence, Torn Wings and Faux Pas, and The Disheveled Dictionary)--are no ordinary books of grammar. A special edition of the 1984 classic, The Deluxe Transitive Vampire is populated by a wickedly decadent cast of gargoyles, mastodons, murderous debutantes, and, yes, vampires (both transitive and otherwise), who cavort and consort in order to illustrate basic principles of grammar. The sentences are intoxicating--"How he loved to dangle his participles, brush his forelock off his forehead with his foreleg, and gaze into the aqueous depths"--but the rules and their explanations are as sound as any you might find in Strunk and White. Outlining the building blocks of the English language, from parts of speech to phrases and clauses, The Deluxe Transitive Vampire goes on to exorcise such grammatical demons as passive voice, fragments, comma splices, and run-on sentences. At last, a handbook of grammar you will actually want to read. In the words of Gordon's preface, "Howling, exploding, crackling, flickering with new life-forms, and drunk on fresh blood (some of mine is certainly missing), this deluxe edition reminds us on every page that words, too, have hoofs and wings to transport us far and deep." [via]
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› Find signed collectible books: 'The Disheveled Dictionary: A Curious Caper Through Our Sumptuous Lexicon'
Pretty little novelty vocabulary books often provide unimaginative, unpoetic definitions for strange and beautiful words that one could never imagine actually using in a sentence. Karen Elizabeth Gordon's Disheveled Dictionary is quite the opposite. Gordon offers up usable if somewhat underused words (such as "amplitude," "crepuscular," "maudlin," and "recidivistic"), many of which we're not quite sure we know the exact meaning, illustrating them in the wildly creative fashion that she has perfected in her grammar texts (The Deluxe Transitive Vampire, The New Well-Tempered Sentence, and Torn Wings and Faux Pas). "The more ample one's lexicon," writes Gordon (as her alter ego "Yolanta") in the book's preface, "the more supple one's thought, the more daring, charged, engaged." "Jonquil Mapp," another of Gordon's stable of crafty characters, adds that "What's most exciting ... is not where a word has been but where it's going, what you will make of it."
This book is best described by example, so here is Gordon's illustrative use of that excessive pride or self-confidence we call "hubris": " Adipose Rex, a modern drama with ancient Greek overtones, is about a king whose hubris vis-a-vis his heart and his tragic proclivity for tiropitas, pastitsio, and baklava bring on his comeuppance coronary." --Jane Steinberg [via]
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› Find signed collectible books: 'The Garden of Eternal Swallows: A Natural Foods Cookbook'
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› Find signed collectible books: 'Intimate Apparel: A Dictionary of the Senses from Absinthe to Zipper'
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› Find signed collectible books: 'My Dear Mother: Stormy, Boastful, and Tender Letters by Distinguished Sons-From Dostoevsky to Elvis'
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› Find signed collectible books: 'The New Well-Tempered Sentence: A Punctuation Handbook for the Innocent, the Eager, and the Doomed'
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› Find signed collectible books: 'Out of the Loud Hound of Darkness : A Dictionarrative'
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› Find signed collectible books: 'Paris Out of Hand'
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› Find signed collectible books: 'Ravenous Muse'
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› Find signed collectible books: 'The Ravenous Muse : A Table of Dark and Comic Contents, a Bacchanal of Books'
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› Find signed collectible books: 'The Ravenous Muse: A Table of Dark and Comic Contents, a Bacchanal of Books'
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› Find signed collectible books: 'The Red Shoes and Other Tattered Tales'
Best known for her Gothic language handbooks, Karen Elizabeth Gordon here turns her extraordinary talents to fiction, and the result is as unconventional as her seductive grammar dramas. The Red Shoes consists of tatters of a half-dozen tales ("The Glass Shoe," "The Gingerbread Variations," "The Little Match Girl," "Don Juan Is a Woman," and the title story, among others), sewn together into a novel by two seamstresses. "Fabric, fabricationsuch is the stuff of these lost chronicles come together here," Gordon writes in her introduction. "Swinging their hatboxes, swaying their hips, chapters with torn slips wander in on high heels and blistered feet." Looking back to the fairy tales of Hans Christian Andersen and the Brothers Grimm, but also casting sidelong glances at metafictional sugardaddies like Queneau, Nabokov, Cortazar, Gass, and Milorad Pavic, The Red Shoes is a Rabelaisian romp through the language of sensuality. [via]
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› Find signed collectible books: 'Sin and Syntax: How to Craft Wickedly Effective Prose'
You gotta love a grammar guide that calls verbs "moody little suckers" and adverbs "promiscuous." Constance Hale (Wired Style) relishes prose that is deliberate, beautiful, and bold. Go ahead and break the rules, she says; just know the rules first, and know why you are breaking them. In Sin & Syntax, Hale examines the elements of grammar from four angles: the "bones" (the grammar lesson), the "flesh" (the writing lesson), "cardinal sins" (what she calls "true transgressions"), and "carnal pleasures" (the beauty that results from either "hew[ing] exquisitely to the underlying codes of language," or not).
For illustration, Hale hails Walt Whitman and Roger Angell, and rails upon Alexander Haig and the Gump's catalogue. She hauls in Joan Didion to make a case for writing in the first person, Mark Twain to promote the killing of adjectives, C.S. Lewis to advocate showing rather than telling, and Loudon Wainwright III to lament the abuse of the word like. But Hale has no problem making her own points. "Euphemisms," she says, "are for wimps." She dismisses a particularly heinous example of scholarly prose as "a bunch of big words thrown into an Osterizer." Even other grammarians don't escape her derision: "Get a grip," Hale says. "Hopefully as a sentence adverb is here to stay." But what distinguishes Sin and Syntax most is its enthusiasm for prose that takes risks. "Even if you have to check with a lawyer," says Hale, "isn't a kick-ass piece of writing worth the effort?" --Jane Steinberg [via]
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› Find signed collectible books: 'Torn Wings and Faux Pas'
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› Find signed collectible books: 'Torn Wings and Faux Pas : A Flashbook of Style, a Beastly Guide Through the Writer's Labyrinth'
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› Find signed collectible books: 'The Transitive Vampire: A Handbook of Grammar for the Innocent, the Eager and the Doomed'
Karen Elizabeth Gordon is no ordinary grammarian, and her works (including The New Well-Tempered Sentence, Torn Wings and Faux Pas, and The Disheveled Dictionary)--are no ordinary books of grammar. A special edition of the 1984 classic, The Deluxe Transitive Vampire is populated by a wickedly decadent cast of gargoyles, mastodons, murderous debutantes, and, yes, vampires (both transitive and otherwise), who cavort and consort in order to illustrate basic principles of grammar. The sentences are intoxicating--"How he loved to dangle his participles, brush his forelock off his forehead with his foreleg, and gaze into the aqueous depths"--but the rules and their explanations are as sound as any you might find in Strunk and White. Outlining the building blocks of the English language, from parts of speech to phrases and clauses, The Deluxe Transitive Vampire goes on to exorcise such grammatical demons as passive voice, fragments, comma splices, and run-on sentences. At last, a handbook of grammar you will actually want to read. In the words of Gordon's preface, "Howling, exploding, crackling, flickering with new life-forms, and drunk on fresh blood (some of mine is certainly missing), this deluxe edition reminds us on every page that words, too, have hoofs and wings to transport us far and deep." [via]
More editions of The Transitive Vampire: A Handbook of Grammar for the Innocent, the Eager and the Doomed:

› Find signed collectible books: 'The Well-Tempered Sentence: A Punctuation Handbook for the Innocent, the Eager, and the Doomed'
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