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› Find signed collectible books: 'Between Silences'

› Find signed collectible books: 'The Bridegroom'
It's the little things that kill us, as that master of the miniature Ha Jin well knows. Not oppression in general, but the tea thrown at us by railroad policemen; not failure, but the old flame who fails to visit; not grief, but the peanuts our kindergarten teacher stole from our pockets. In The Bridegroom, such moments run surprisingly deep, as if they traced the grooves history has left on individual hearts. The book's 12 tales capture a China in transition, en route from Maoism to market-friendly socialism, from isolation to increasing contact with the West. "I never thought money could make so much difference," says the narrator of "An Entrepreneur's Story," who's been transformed from black-market lowlife to new-economy hero. He wins respect and gets the girl, but it all feels too easy somehow, and he revenges himself by lighting his kerosene stove with bank notes.
Other characters navigate this sea change with similar bewilderment. The professor mistaken for "The Saboteur" thinks news articles about the end of the cultural revolution mean he can reason with the police (wrong!), while the bridegroom of the title story is hauled off to jail for so-called hooliganism rooted in "Western capitalism and bourgeois lifestyle"--that is, loving other men. "What a wonderful husband he could have been if he were not sick," his father-in-law thinks. In the story that deals most explicitly with the conflict between East and West, an American chain named Cowboy Chicken sets up shop in Muji City. The new order isn't that different from the old one, thinks one of the Chinese workers: "We nicknamed Mr. Shapiro 'Party Secretary,' because just like a Party boss anywhere he didn't do any work. The only difference was that he didn't organize political studies or demand we report to him our inner thoughts." In the end, as often happens, greed begets revolution--but whose greed? When the workers at Cowboy Chicken go on strike, jealous of one of their coworker's paychecks, they're replaced by an African American woman who teaches English at a nearby college and her students, who sing "We Shall Overcome" while they wipe tables.
But as in Jin's National Book Award-winning novel, Waiting, even the broadest political and cultural ironies are painted with an extraordinarily light-handed brush. Despite their apparent simplicity, these stories run deep; it's as if some 19th century master had wandered into our midst, writing prose whose unruffled surface recalls the virtues of the very long view. Like Chekhov, another great miniaturist and the writer he most resembles, Jin understands that humor is compassion, that a well-honed appreciation for the absurd is sometimes the best and most honest way to honor failed lives. While his characters attempt to balance the needs of the self and the demands of the state, we see less what is foreign to us than what is native to the human heart. --Mary Park [via]

› Find signed collectible books: 'The Crazed'

› Find signed collectible books: 'CSS Waiting'
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› Find signed collectible books: 'A Free Life'
› Find signed collectible books: 'In the Pond'
In the Pond is a slim little book about some very big issues: power, vanity, art, injustice, and politics. Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. "In brief, the true scholar's brush must encourage good and warn against evil," he reads in The Essence of Ancient Chinese Thought, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, "Why do you enjoy fighting so much?" Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. --Mary Park [via]

› Find signed collectible books: 'Ocean of Words'
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› Find signed collectible books: 'Selected Stories of Lu Hsun'
"Some of these stories, I am sure, will be read as long as the Chinese language exists."Ha Jin
"When I was young I, too, had many dreams. Most of them came to be forgotten, but I see nothing in this to regret. For although recalling the past may make you happy, it may sometimes also make you lonely, and there is no point in clinging in spirit to lonely bygone days. However, my trouble is that I cannot forget completely, and these stories have resulted from what I have been unable to erase from memory."Lu HsunMore editions of Selected Stories of Lu Hsun:

› Find signed collectible books: 'Waiting (Film Tie-in)'
"Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu." Like a fairy tale, Ha Jin's masterful novel of love and politics begins with a formula--and like a fairy tale, Waiting uses its slight, deceptively simple framework to encompass a wide range of truths about the human heart. Lin Kong is a Chinese army doctor trapped in an arranged marriage that embarrasses and repels him. (Shuyu has country ways, a withered face, and most humiliating of all, bound feet.) Nevertheless, he's content with his tidy military life, at least until he falls in love with Manna, a nurse at his hospital. Regulations forbid an army officer to divorce without his wife's consent--until 18 years have passed, that is, after which he is free to marry again. So, year after year Lin asks his wife for his freedom, and year after year he returns from the provincial courthouse: still married, still unable to consummate his relationship with Manna. Nothing feeds love like obstacles placed in its way--right? But Jin's novel answers the question of what might have happened to Romeo and Juliet had their romance been stretched out for several decades. In the initial confusion of his chaste love affair, Lin longs for the peace and quiet of his "old rut." Then killing time becomes its own kind of rut, and in the end, he is forced to conclude that he "waited eighteen years just for the sake of waiting."
There's a political allegory here, of course, but it grows naturally from these characters' hearts. Neither Lin nor Manna is especially ideological, and the tumultuous events occurring around them go mostly unnoticed. They meet during a forced military march, and have their first tender moment during an opera about a naval battle. (While the audience shouts, "Down with Japanese Imperialism!" the couple holds hands and gazes dreamily into each other's eyes.) When Lin is in Goose Village one summer, a mutual acquaintance rapes Manna; years later, the rapist appears on a TV report titled "To Get Rich Is Glorious," after having made thousands in construction. Jin resists hammering ideological ironies like these home, but totalitarianism's effects on Lin are clear:
Let me tell you what really happened, the voice said. All those years you waited torpidly, like a sleepwalker, pulled and pushed about by others' opinions, by external pressure, by your illusions, by the official rules you internalized. You were misled by your own frustration and passivity, believing that what you were not allowed to have was what your heart was destined to embrace.Ha Jin himself served in the People's Liberation Army, and in fact left his native country for the U.S. only in 1985. That a non-native speaker can produce English of such translucence and power is truly remarkable--but really, his prose is the least of the miracles here. Improbably, Jin makes an unconsummated 18-year love affair loom as urgent as political terror or war, while history-changing events gain the immediacy of a domestic dilemma. Gracefully phrased, impeccably paced, Waiting is the kind of realist novel you thought was no longer being written. --Mary Park [via]
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› Find signed collectible books: 'War Trash'
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› Find signed collectible books: 'The Writer as Migrant'
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