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› Find signed collectible books: 'El Gatopardo'
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› Find signed collectible books: 'The Leopard'
In Sicily in 1860, as Italian unification grows inevitable, the smallest of gestures seems dense with meaning and melancholy, sensual agitation and disquiet: "Some huge irrational disaster is in the making." All around him, the prince, Don Fabrizio, witnesses the ruin of the class and inheritance that already disgust him. His favorite nephew, Tancredi, proffers the paradox, "If we want things to stay as they are, they will have to change," but Don Fabrizio would rather take refuge in skepticism or astronomy, "the sublime routine of the skies."
Giuseppe di Lampedusa, also an astronomer and a Sicilian prince, was 58 when he started to write The Leopard, though he had had it in his mind for 25 years. E. M. Forster called his work "one of the great lonely books." What renders it so beautiful and so discomfiting is its creator's grasp of human frailty and, equally, of Sicily's arid terrain--"comfortless and irrational, with no lines that the mind could grasp, conceived apparently in a delirious moment of creation; a sea suddenly petrified at the instant when a change of wind had flung waves into frenzy." The author died at the age of 60, soon after finishing The Leopard, though he did live long enough to see it rejected as unpublishable. [via]
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› Find signed collectible books: 'The Leopard'
The Leopard is set in Sicily in 1860, as Italian unification is coming violently into being, but it transcends the historical-novel classification. E.M. Forster called it, instead, "a novel which happens to take place in history." Lampedusa's Sicily is a land where each social gesture is freighted with nuance, threat, and nostalgia, and his skeptical protagonist, Don Fabrizio, is uniquely placed to witness all and alter absolutely nothing. Like his creator, the prince is an aristocrat and an astronomer, a man "watching the ruin of his own class and his own inheritance without ever making, still less wanting to make, any move toward saving it." Far better to take refuge in the night skies.
What renders The Leopard so beautiful, and so despairing, is Lampedusa's grasp of human frailty and his vision of Sicily's arid terrain--"comfortless and irrational, with no lines that the mind could grasp, conceived apparently in a delirious moment of creation; a sea suddenly petrified at the instant when a change of wind had flung waves into frenzy." Though the author had long had the book in mind, he didn't begin writing it until he was in his late 50s. He died at 60, soon after it was rejected as unpublishable.
Archibald Colquhoun's lyrical translation also contains 70 more precious pages of Lampedusa--a memoir, a short story, and the first chapter of a novel. In "Places of My Infancy" the author warns that "the reader (who won't exist) must expect to be led meandering through a lost Earthly Paradise. If it bores him. I don't mind." Luckily, the reader does exist; even more luckily, boredom is not an option. [via]
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› Find signed collectible books: 'The Leopard: With a Memory and Two Stories'
In Sicily in 1860, as Italian unification grows inevitable, the smallest of gestures seems dense with meaning and melancholy, sensual agitation and disquiet: "Some huge irrational disaster is in the making." All around him, the prince, Don Fabrizio, witnesses the ruin of the class and inheritance that already disgust him. His favorite nephew, Tancredi, proffers the paradox, "If we want things to stay as they are, they will have to change," but Don Fabrizio would rather take refuge in skepticism or astronomy, "the sublime routine of the skies."
Giuseppe di Lampedusa, also an astronomer and a Sicilian prince, was 58 when he started to write The Leopard, though he had had it in his mind for 25 years. E. M. Forster called his work "one of the great lonely books." What renders it so beautiful and so discomfiting is its creator's grasp of human frailty and, equally, of Sicily's arid terrain--"comfortless and irrational, with no lines that the mind could grasp, conceived apparently in a delirious moment of creation; a sea suddenly petrified at the instant when a change of wind had flung waves into frenzy." The author died at the age of 60, soon after finishing The Leopard, though he did live long enough to see it rejected as unpublishable. [via]
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› Find signed collectible books: 'The Siren and Selected Writings'
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› Find signed collectible books: 'Der Gattopardo'
Wer immer in der Vergangenheit die deutsche Übersetzung des Sizilienromans Der Leopard des Herzogs von Parma und Fürsten von Lampedusa Giuseppe Tomasi verschlungen hat, wird beschwören können, eines der schönsten Bücher gelesen zu haben, das Italien im 20. Jahrhundert der Weltliteratur schenkte. Und doch ist er gleich einem doppelten Betrug aufgesessen. Zum ersten war Der Leopard nicht vollständig. Und zum anderen war sein Titel überaus unglücklich übersetzt.
Giò Waeckerlin Indunis herrlich schwungvolle Übertragung macht nun gleich mit beiden Irrtümern Schluss. Zum einen, indem sie den Text um zwei umstrittene, endlich von den Erben Tomasis freigegebene Fragmente erweitert und den Roman fast fünfzig Jahre nach seiner posthumen Erstveröffentlichung komplett präsentiert. Und zum anderen dadurch, dass sie ihm seinen ironischen Titel zurückgab. Denn der Gattopardo ist ein kleiner Bruder des Leoparden, des Wappentieres der Salina, der im Unterschied zu seinem gewaltigen Verwandten in der Nacht umherschleicht und aufgrund einer anatomischen Merkwürdigkeit nicht brüllen kann. So bekommt das Meisterwerk vom Glanz und Untergang eines Fürstengeschlechts im italienischen Freiheitskampf nach der Landung Garibaldis bereits zu Anfang endlich wieder jene humorvoll-melancholische Note, die es bis zum Schluss bestimmt.
Auch sonst wirkt Inunis Übersetzung so stark und frisch, dass selbst Freunde des Leoparden "ihren" Roman wieder neu entdecken können. Allen anderen -- auch denen, die nur die Visconti-Verfilmung kennen -- sei Der Gattopardo wärmstens ans Herz gelegt. Eine bessere Gelegenheit, einen der größten italienischen Klassiker des 20. Jahrhunderts kennen zu lernen, gab es noch nie. --Isa Gerck [via]
› Find signed collectible books: 'Ich sucht' ein Glück, das es nicht gibt. Byron, Shelley, Keats. Salto'
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