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› Find signed collectible books: 'Conversations With Lukacs'
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› Find signed collectible books: 'Destruction of Reason'
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› Find signed collectible books: 'Essays on Realism'
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› Find signed collectible books: 'Essays on Realism'
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› Find signed collectible books: 'Georg Lukacs: Selected Correspondence, 1902-1920, Dialogues With Weber, Simmel, Buber, Mannheim, and Others'
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› Find signed collectible books: 'German Realists in the Nineteenth Century'
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› Find signed collectible books: 'Goethe and His Age'
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› Find signed collectible books: 'The Historical Novel'
Beginning with the novels of Sir Walter Scott, The Historical Novel documents the evolution of a genre that came to dominate European fiction in the years after Napoleon. The novel had reached a point at which it could be socially and politically critical as well as psychologically insightful. Lukács devotes his final chapter to the anti-Nazi fiction of Germany and Austria.
› Find signed collectible books: 'History and Class Consciousness: Studies in Marxist Dialectics'
This is the first time one of the most important of Lukács' early theoretical writings, published in Germany in 1923, has been made available in English. The book consists of a series of essays treating, among other topics, the definition of orthodox Marxism, the question of legality and illegality, Rosa Luxemburg as a Marxist, the changing function of Historic Marxism, class consciousness, and the substantiation and consciousness of the Proletariat.Writing in 1968, on the occasion of the appearance of his collected works, Lukács evaluated the influence of this book as follows:"For the historical effect of History and Class Consciousness and also for the actuality of the present time one problem is of decisive importance: alienation, which is here treated for the first time since Marx as the central question of a revolutionary critique of capitalism, and whose historical as well as methodological origins are deeply rooted in Hegelian dialectic. It goes without saying that the problem was omnipresent. A few years after History and Class Consciousness was published, it was moved into the focus of philosophical discussion by Heidegger in his Being and Time, a place which it maintains to this day largely as a result of the position occupied by Sartre and his followers. The philologic question raised by L. Goldmann, who considered Heidegger's work partly as a polemic reply to my (admittedly unnamed) work, need not be discussed here. It suffices today to say that the problem was in the air, particularly if we analyze its background in detail in order to clarify its effect, the mixture of Marxist and Existentialist thought processes, which prevailed especially in France immediately after the Second World War. In this connection priorities, influences, and so on are not particularly significant. What is important is that the alienation of man was recognized and appreciated as the central problem of the time in which we live, by bourgeois as well as proletarian, by politically rightist and leftist thinkers. Thus, History and Class Consciousness exerted a profound effect in the circles of the youthful intelligentsia."George Lichtheim, also in 1968, writes that "...The originality of the early Lukács lay in the assertion that the totality of history could be apprehended by adopting a particular 'class standpoint': that of the proletariat. Class consciousness ;not indeed the empirical consciousness of the actual proletariat, which was hopelessly entangled with the surface aspects of objective reality, but an ideal-typical consciousness proper to a class which radically negates the existing order of reality: that was the formula which had made it possible for the Lukács of 1923 to unify theory and practice."
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› Find signed collectible books: 'Lenin: A Study on the Unity of His Thought'
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› Find signed collectible books: 'The Meaning of Contemporary Realism'
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› Find signed collectible books: 'The Process of Democratization'
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› Find signed collectible books: 'Rob Roy'
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› Find signed collectible books: 'Solzhenitsyn'
Georg Lukac's most recent work of literary criticism, on the Nobel Prize winner Alexander Solzhenitsyn, hails the Russian author as a major force in redirecting socialist realism toward the level it once occupied in the 1920s when Soviet writers portrayed the turbulent transition to socialist society.In the first essay Lukacs compares the novella One Day in the Life of Ivan Denisovich to short pieces by "bourgeois" writers Conrad and Hemingway and explains the nature of Solzhenitsyn's criticism of the Stalinist period implied in the situation, characters, and their interaction. He also briefly describes Matriona's House, An Incident at the Kretchetovka Station, and For the Good of the Cause -- stories that depict various aspects of life in Stalinist Russia.In the second, longer section, Lukacs greets Solzhenitsyn's novels The First Circle and Cancer Ward, which were published outside Russia, as representing "a new high point in contemporary world literature." These books mark Solzhenitsyn as heir to the best tendencies in postrevolutionary socialist realism and to the literary tradition of Tolstoy and Dostoevsky. Moreover, from the point of view of the development of the novel, Lukacs finds the Russian author to be a successful exponent of innovative methods originating in Thomas Mann's The Magic Mountain.The central problem of contemporary socialist realism is a predominant theme in the book: how to come to critical terms with the legacy of Stalin. The enthusiasm with which Lukacs acclaims Solzhenitsyn will not surprise those who have followed his persistent refusal to endorse the so-called socialist realist writers of the Stalinist era. He outlines the aspects of Solzhenitsyn's creative method that allows him to cross the ideological boudaries of the Stalinist tradition, yet he finds a basic pessimism in Solzhenitsyn's work that makes him a "plebeian" rather than a socialist writer.Of Ivan Denisovich and the future of socialist realist literature, Lukacs urges: "If socialist writers were to reflect upon their task, if they were again to feel an artistic responsibiliity towards the great problems of the present, powerful forces could be unleashed leading in the direction of relevant socialist literature. In this process of transformation and renewal, which signifies an abrupt departure from the socialist realism of the Stalin era, the role of landmark on the road to the future falls to Solzhenitsyn's story."
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› Find signed collectible books: 'Soul and Form'
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› Find signed collectible books: 'Theory of the Novel'
Georg Lukács wrote The Theory of the Novel in 1914-1915, a period that also saw the conception of Rosa Luxemburg's Spartacus Letters, Lenin's Imperialism: The Highest Stage of Capitalism, Spengler's Decline of the West, and Ernst Bloch's Spirit of Utopia. Like many of Lukács's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, and Husserl.The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukács's last great work before he turned to Marxism-Leninism.
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› Find signed collectible books: 'Writer And Critic: And Other Essays'
In the fall of 1960, during a three-month visit to Hungary, Arthur Kahn unsuccessfully asked his hosts to arrange a meeting with Gyorgy Lukacs, a persona non grata to the Communist regime. Kahn arranged to meet Lukacs on his own and proposed translating some Lukacs essays never before appearing in English. During the three years Kahn worked on the translations, he and Lukacs engaged in a voluminous correspondence, investigating Marxism as it applied to contemporary events like the Vietnam war. Extracts from this correspondence will be included in a forthcoming volume of Kahns' autobiography, The Education of a 20th Century Political Animal. [via]
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› Find signed collectible books: 'Young Hegel: Studies in the Relations Between Dialectics and Economics'
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