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Douglas W. Druick
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English
The Age of Impressionism at the Art Institute of Chicagoby Gloria Groom, Douglas W. DruickISBN 0300136781 (0-300-13678-1)
Softcover, Art Inst of Chicago
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Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Gardeby Douglas W. Druick , Art Institute of Chicago, Musee D'Orsay, Metropolitan Museum of Art (New York, N.Y.), Maryline Assante di Panzillo, Rebecca A. RabinowISBN 1588391957 (1-58839-195-7)
Softcover, Metropolitan Museum of Art
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Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-gardeby Rebecca A. Rabinow, Gloria Groom, Douglas W. Druick , Ann Dumas, Anne RoquebertISBN 0300117795 (0-300-11779-5)
Hardcover, Yale Univ Pr
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Degas and the Little Dancerby Richard Kendall, Douglas W. Druick , Arthur BealeISBN 0300074972 (0-300-07497-2)
Hardcover, Yale University Press
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› Find signed collectible books: 'Degas and the Little Dancer'Book summary:Degas's sculpture of the Little Dancer Aged Fourteen is one of the most celebrated images of our age. Although it caused immediate controversy when first exhibited in 1881, it is now recognized as the sculptural masterpiece of Impressionism. After the artist's death, the Original wax was reproduced in at least thirty plaster and bronze casts that are now scattered throughout the world and inspire delight among museum-goers and continuing debate among art historians.
This beautiful book is the first full-length study of the subject and offers entirely new perspectives on a work that is widely regarded as a key precursor of twentieth-century sculpture. In three chapters, Richard Kendall analyzes the origins of this distinctive figure in Degas's ballet imagery; explores the condition of French sculpture in the 1870s and the significance of Degas's choice of materials, procedures, and exhibition strategy; and describes the critical responses to the first public display of the statuette, particularly those comparing it with dolls and the art of ancient Egypt. Douglas W. Druick then explores the fascinating association between the sculpture and views of criminality current in the artist's day, and for the first time in the history of the work, Arthur Beale examines the technical character of its variant forms using laboratory analysis and X-ray photography. The book presents sixty-five color plates of major works by Degas that encompass the genesis and legacy of the Little Dancer, as well as a wealth of comparative plates and preparatory drawings, some never before published.
The book is the catalogue for an exhibition that will open at the Joslyn Art Museum, Omaha, in February 1998 andthen travel to the Sterling and Francine Clark Art Institute, Williamstown, Mass., and the Baltimore Museum of Art. [via]
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Drawings in Dialogue: Old Master Through Modern the Harry B. And Bessie K. Braude Memorial Collectionby Richard Kendall, Douglas W. Druick , Arthur BealeISBN 0300114125 (0-300-11412-5)
Hardcover, Art Inst of Chicago
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Fantin-Latour: Exhibitionby Michel Hoog, Douglas W. Druick , Fine Arts Museums of San Francisco, National Gallery of Canada, Reunion Des Musees Nationaux (France), Henri Fantin-LatourISBN 088884493X (0-88884-493-X)
Softcover, National Gallery of Canada
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Gauguinby Paul Gauguin, Douglas W. Druick , Art Institute of Chicago, Britt Salvesen, Peter Kort ZegersISBN 0810967391 (0-8109-6739-1)
Hardcover, Harry N Abrams Inc
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Graphic Modernism: Selections from the Francey and Dr. Martin L. Gecht Collection at the Art Institute of Chicagoby Douglas W. Druick , Art Institute of Chicago, Suzanne Folds McCullaghISBN 0865592071 (0-86559-207-1)
Hardcover, Antique Collectors Club Ltd
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Gustave Moreau: Between Epic and Dreamby Larry J. Feinberg, Douglas W. Druick , Genevieve Lacambre, Gustave Moreau, Marie-Laure De ContensonISBN 0865591687 (0-86559-168-7)
Softcover, Art Inst of Chicago Museum Shop
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Jasper Johns: Grayby Larry J. Feinberg, Douglas W. Druick , Genevieve Lacambre, Gustave Moreau, Marie-Laure De ContensonISBN 0300119496 (0-300-11949-6)
Hardcover, Art Inst of Chicago
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Manet and the Seaby Edouard Manet, Juliet Wilson Bareau, Lloyd Dewitt, David C. Degener, Bill Scott, Ann Temkin, Richard Dorment, John Leighton, Gloria Groom, Douglas W. Druick , Joseph J. Rishel, John ZarobellISBN 0876331754 (0-87633-175-4)
Softcover, Philadelphia Museum of Art
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› Find signed collectible books: 'Manet and the Sea'Book summary:This exhibition catalogue focuses on Manet's maritime paintings. Edouard Manet (1832 -1883) was passionate about the sea. Before becoming a painter, he spent six months at sea and, like many Europeans of his era, he took numerous seaside holidays. Manet made his public debut as a marine painter at the Paris Salon of 1864 with "The Battle of the USS 'Kearsarge' and the CSS 'Alabama'", his dramatic depiction of a US Civil War naval battle off the coast of France, and he continued to paint seascapes throughout his career. These extraordinary works clearly reflect his intimate knowledge of and love for maritime vessels and the sea. "Manet and the Sea" highlights the French master's beautiful and varied seascapes. Essays by leading scholars discuss how Manet completely overturned the established academic conventions of marine painting in France. His provocative approach was equal to that of his contemporary Gustave Courbet, and his bold and innovative techniques inspired many younger artists, including Claude Monet, Berthe Morisot, James McNeill Whistler and Pierre-Auguste Renoir. Essays on these and other artists place their seascapes in relation to Manet's pictures. [via]
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Manet and the Seaby Edouard Manet, Juliet Wilson Bareau, Lloyd Dewitt, David C. Degener, Bill Scott, Ann Temkin, Richard Dorment, John Leighton, Gloria Groom, Douglas W. Druick , Joseph J. Rishel, John ZarobellISBN 0300101643 (0-300-10164-3)
Hardcover, Yale Univ Pr
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Odilon Redon: Prince of Dreamsby Edouard Manet, Juliet Wilson Bareau, Lloyd Dewitt, David C. Degener, Bill Scott, Ann Temkin, Richard Dorment, John Leighton, Gloria Groom, Douglas W. Druick , Joseph J. Rishel, John ZarobellISBN 0810937697 (0-8109-3769-7)
Hardcover, Harry N Abrams Inc
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› Find signed collectible books: 'Odilon Redon: Prince of Dreams'Book summary:The work of French Symbolist painter Odilon Redon has long been seen as a direct link between the 19th century and the development of modern art. Now Douglas W. Druick, Searle curator of European paintings at The Art Institute of Chicago, has gathered more than 500 color and black-and-white reproductions of the artist's well-known and more obscure works. [via]
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Odilon Redon: Prince of Dreams, 1840-1916by Douglas W. Druick , Odilon RedonISBN 0865591253 (0-86559-125-3)
Hardcover, Art Inst of Chicago Museum Shop
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The Other Nineteenth Century: Paintings and Sculpture in the Collection of Mr and Mrs Joseph M. Tanenbaumby Douglas W. Druick , National Gallery of Canada, Louise d' ArgencourtISBN 0888843488 (0-88884-348-8)
Hardcover, National Gallery of Canada
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Renoirby Douglas W. Druick , Art Institute of Chicago, Auguste RenoirISBN 0810963256 (0-8109-6325-6)
Hardcover, Harry N Abrams Inc
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Seurat and the Making of LA Grande Jatteby Robert L. Herbert, Neil Harris, Georges Seurat, Gloria Groom, Douglas W. Druick , Roy S. Berns, Frank Zuccari, Allison Langley, Inge FiedlerISBN 0520242114 (0-520-24211-4)
Softcover, Univ of California Pr
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› Find signed collectible books: 'Seurat and the Making of LA Grande Jatte'Book summary:[via]
"The miracle of La Grande Jatte is its coincidence of critical distinction and popular celebration. High, low, mass, and popular cultures meet in mutual delight, continuing to revel in the mysteries of that Parisian Sunday."--from "The Park in the Museum" by Neil Harris
"Bedlam," "scandal," and "hilarity" were among the epithets used to describe the effect of what is now considered Georges Seurat's greatest work, and one of the most remarkable paintings of the nineteenth century, when it was first exhibited in Paris in 1886. A Sunday on La Grande Jatte--1884, an extensive landscape peopled with over forty figures, took the artist almost two years to complete. This sumptuous book, created to accompany a major exhibition at the Art Institute of Chicago, provides a fascinating, in-depth examination of the gestation, execution, and influence of Seurat's masterpiece.
La Grande Jatte has been part of the Art Institute of Chicago's collection since 1926. Bringing together all known studies and drawings directly related to the painting, this volume provides a visual and contextual survey of Seurat's working methods and aesthetic priorities, as well as the evolutionary process that culminated in his singular achievement. Included are more than fifty-five preparatory works, ranging from rich conté crayon drawings to oil sketches on small wood panels to larger studies painted on canvas. In their quantity, intricacy, and variety, these works reveal a compositional process that harks back to Old Master traditions and methods, which had been largely abandoned by Seurat's immediate predecessors, the Impressionists. The many studies attest to the artist's ambitions for his masterpiece and open up a broader context for understanding the work.
Seurat scholar Robert L. Herbert makes new revelations about the painting's relationship to its preparatory studies, stressing Seurat's empirical craftmanship. He compares La Grande Jatte to paintings by Monet, Renoir, Pissarro, and Signac and analyzes the ways that twentieth-century critics, including Meyer Schapiro, T.J. Clark, and Linda Nochlin, have viewed the picture. He proposes that the enduring fascination of the famous canvas comes from Seurat's mixture of fashion and irony. Also giving new perspectives in this book, the noted cultural historian Neil Harris charts how and why La Grande Jatte attained its revered status at the Art Institute of Chicago and throughout the United States. Additionally, the exhibition's cocurators examine the painting's place in the museum's collection. Essays by Art Institute conservators show how Seurat transferred and altered figures from studies to final canvas and elucidate the exact nature of his pigments and brushwork. Color scientist Roy Berns traces the efforts to digitally recapture the original hues of Seurat's time-altered masterpiece. A landmark publication, this book provides dazzling proof of why La Grande Jatte is among the most frequently reproduced paintings in the world and why it continues to fascinate scholars and art lovers today.More editions of Seurat and the Making of LA Grande Jatte:
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Van Gogh and Gauguin: The Studio of the Southby Douglas W. Druick , Art Institute of Chicago, Mary C. Weaver, Britt Salvesen, Peter Zegers, Rijksmuseum Vincent Van Gogh, Kristin Hoermann Lister, Bruce SalvesenISBN 0865591946 (0-86559-194-6)
Softcover, Art Inst of Chicago Museum Shop
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› Find signed collectible books: 'Van Gogh and Gauguin: The Studio of the South'Book summary:The personal and professional history of Van Gogh and Gauguin constitutes one of the most dramatically revealing sagas in the history of modern art. Over the last few decades Gogh and Gauguin have received a prodigious amount of scholarly attention. Recent contributions to this literature have expanded our knowledge significantly. But while references to their problematic interaction abound, sustained analysis of their mutual influence has yet to be the subject of a major study. This book, published on the occasion of a landmark exhibition organized by the Art Institute of Chicago and the Van Gogh Museum, systematically explores the relationship in the context of the larger cultural and political background implied in their ideas for a 'Studio of the South'. It charts the connections between the two men through their stay together in Provence and beyond to Vincent's death in 1890. A final section considers the remainder of Gauguin's career, both in Tahiti and the Marquesas (where he died in 1903), as an attempt to realize the ideals of the 'Studio of the South' developed with Van Gogh and shaped by his posthumous reputation. [via]
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French
Degas: Galeries Nationales Du Grand Palais, Paris 9 Fevrier-16 Mai 1988 Musee Des Beaux-Arts Du Canada, Ottawa 16 Juin-28 Aout 1988 Metropolitan Museum of Art, New York 27 Septembre 1988-8 Janvier 1989ISBN 2711821463 (2-7118-2146-3)
Hardcover, Ministere de la culture et de la communication, Editions de la Reunion des musees nationaux
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![Hoog, Michel: Fantin-Latour: [exposition], Galeries Nationales Du Grand Palais, Paris, 9 Novembre 1982-7 Fevrier 1983, Galerie Nationale Du Canada, Ottawa, 17 Mars-22 Mai 1983, California Palace of the Legion of Honour, San Francisco, 18 Juin-6 Septembre 1983](http://ecx.images-amazon.com/images/P/2711802086.01._SL160_SCLZZZZZZZ__.jpg "Hoog, Michel: Fantin-Latour: [exposition], Galeries Nationales Du Grand Palais, Paris, 9 Novembre 1982-7 Fevrier 1983, Galerie Nationale Du Canada, Ottawa, 17 Mars-22 Mai 1983, California Palace of the Legion of Honour, San Francisco, 18 Juin-6 Septembre 1983")
Fantin-Latour: [exposition], Galeries Nationales Du Grand Palais, Paris, 9 Novembre 1982-7 Fevrier 1983, Galerie Nationale Du Canada, Ottawa, 17 Mars-22 Mai 1983, California Palace of the Legion of Honour, San Francisco, 18 Juin-6 Septembre 1983by Michel Hoog, Douglas W. Druick , National Gallery of Canada, Galeries Nationales Du Grand Palais (France), California Palace of the Legion of Honor, Henri Fantin-LatourISBN 2711802086 (2-7118-0208-6)
Hardcover, Ministere de la culture, Editions de la Reunion des musees nationaux
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Gustave Moreau: Between Epic and Dreamby Larry J. Feinberg, Douglas W. Druick , Genevieve Lacambre, Art Institute of Chicago, Gustave Moreau, Galeries Nationales Du Grand Palais (France), Marie-Laure De Contenson, Reunion Des Musees Nationaux (France), Metropolitan Museum of Art (New York, N.Y.)ISBN 2711835774 (2-7118-3577-4)
Hardcover, Reunion Des Musees Nationaux
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Spanish
Van Gogh y Gauguin: El Estudio Del Surby Douglas W. DruickISBN 8481563277 (84-8156-327-7)
Hardcover, Sociedad Editorial Electa Espana
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