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› Find signed collectible books: 'Doomsday Book'
Connie Willis labored five years on this story of a history student in 2048 who is transported to an English village in the 14th century. The student arrives mistakenly on the eve of the onset of the Black Plague. Her dealings with a family of "contemps" in 1348 and with her historian cohorts lead to complications as the book unfolds into a surprisingly dark, deep conclusion. The book, which won Hugo and Nebula Awards, draws upon Willis' understanding of the universalities of human nature to explore the ageless issues of evil, suffering and the indomitable will of the human spirit. [via]

› Find signed collectible books: 'Fire Watch'
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› Find signed collectible books: 'The Miracle and Other Christmas Stories'
Connie Willis loves Christmas. "I even like the parts most people hate--shopping in crowded malls and reading Christmas newsletters and seeing relatives and standing in baggage check-in lines at the airport. Okay, I lied. Nobody likes standing in baggage check-in lines," she writes. Willis knows it's hard to write good Christmas stories: the subject matter is limited, the writer has to balance between sentiment and skepticism, and too many fall into the Victorian habit of killing off saintly children and poor people. Here she presents eight marvelous Christmas tales, two of which appear for the first time.
The stories range from "The Pony," about a psychotherapist who doesn't believe that Christmas gifts can answer our deepest longings, and "Inn," in which a choir member rehearsing for the Christmas pageant becomes part of the original Christmas story, to "Newsletter," where an invasion of parasitic creatures causes unusually good behavior in their hosts, and "Epiphany," a story of three unlikely Magi following signs through a North American winter toward the returned Jesus Christ. "Miracle" is a comic romance echoing Willis's favorite Yuletide movie, Miracle on 34th Street, and "Catspaw" is a homage to the traditional Christmas murder mystery with a sly, science-fictional twist. The collection also includes "In Coppelius' Toyshop," in which a bad guy is trapped in Toyland, and "Adaptation," a Dickensian story about what it means to keep Christmas in your heart.
Those who want only SF stories may find this collection lacking, but anyone who enjoys complex tales with true Christmas spirit will treasure it. --Nona Vero [via]
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› Find signed collectible books: 'Nebula Awards 33: The Year's Best SF and Fantasy Chosen by the Science-Fiction and Fantasy Writers of America'
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› Find signed collectible books: 'Passage'

› Find signed collectible books: 'Promised Land'
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› Find signed collectible books: 'Promised Land'
Returning to her home planet of Keramos to settle her dead mother's estate, Delanna finds that to sell her farm she must first live on it for one year and discovers that, from the moment of her mother's death, she has also acquired a husband, Tarleton Tanner, heir to the adjoining farm. [via]
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› Find signed collectible books: 'To Say Nothing of the Dog'
To Say Nothing of the Dog is a science-fiction fantasy in the guise of an old-fashioned Victorian novel, complete with epigraphs, brief outlines, and a rather ugly boxer in three-quarters profile at the start of each chapter. Or is it a Victorian novel in the guise of a time-traveling tale, or a highly comic romp, or a great, allusive literary game, complete with spry references to Dorothy L. Sayers, Wilkie Collins, and Arthur Conan Doyle? Its title is the subtitle of Jerome K. Jerome's singular, and hilarious, Three Men in a Boat. In one scene the hero, Ned Henry, and his friends come upon Jerome, two men, and the dog Montmorency in--you guessed it--a boat. Jerome will later immortalize Ned's fumbling. (Or, more accurately, Jerome will earlier immortalize Ned's fumbling, because Ned is from the 21st century and Jerome from the 19th.)
What Connie Willis soon makes clear is that genre can go to the dogs. To Say Nothing of the Dog is a fine, and fun, romance--an amused examination of conceptions and misconceptions about other eras, other people. When we first meet Ned, in 1940, he and five other time jumpers are searching bombed-out Coventry Cathedral for the bishop's bird stump, an object about which neither he nor the reader will be clear for hundreds of pages. All he knows is that if they don't find it, the powerful Lady Schrapnell will keep sending them back in time, again and again and again. Once he's been whisked through the rather quaint Net back to the Oxford future, Ned is in a state of super time-lag. (Willis is happily unconcerned with futuristic vraisemblance, though Ned makes some obligatory references to "vids," "interactives," and "headrigs.") The only way Ned can get the necessary two weeks' R and R is to perform one more drop and recuperate in the past, away from Lady Schrapnell. Once he returns something to someone (he's too exhausted to understand what or to whom) on June 7, 1888, he's free.
Willis is concerned, however, as is her confused character, with getting Victoriana right, and Ned makes a good amateur anthropologist--entering one crowded room, he realizes that "the reason Victorian society was so restricted and repressed was that it was impossible to move without knocking something over." Though he's still not sure what he's supposed to bring back, various of his confederates keep popping back to set him to rights. To Say Nothing of the Dog is a shaggy-dog tale complete with a preternaturally quiet, time-traveling cat, Princess Arjumand, who might well be the cause of some serious temporal incongruities--for even a mouser might change the course of European history. In the end, readers might well be more interested in Ned's romance with a fellow historian than in the bishop's bird stump, and who will not rejoice in their first Net kiss, which lasts 169 years! [via]
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› Find signed collectible books: 'Uncharted Territory'
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› Find signed collectible books: 'Water Witch: A Novel'
At the instigation of her con-artist father, Deza masquerades as a witch who can control the water supply of the desert planet of Mahali, in order to deceive its rulers and become rich, but the deception backfires. Reissue. [via]
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› Find signed collectible books: 'Water Witch'
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› Find signed collectible books: 'A Woman's Liberation'
A Woman's Liberation seems to promise explicitly feminist stories, but with one exception, that is not what you get. In sociopolitical terms, there isn't much in A Woman's Liberation that would discomfort the white, suburban, American middle class, and that's something that will discomfort many feminists.
The collection may be mainstream in its feminism and, usually, its sociocultural assumptions, but that does not mean the stories are comforting--quite the opposite. In "Inertia," Hugo, Nebula, and Sturgeon Award winner Nancy Kress takes a disturbing look at a concentration camp for disease sufferers in a repressive, decaying America. In the Nebula and Hugo Award winner "Even the Queen," Connie Willis deftly dissects mother-daughter relationships and satirically skewers a naive, doctrinaire feminist; this story represents an impressive but little-noted feminist accomplishment: Mrs. Willis placed a story blatantly about menstruation in Asimov's SF. Multi-award-winner Pat Murphy's "Rachel in Love" is guaranteed to disturb readers: when a young woman, Rachel, dies in an accident, her mind is downloaded into a chimpanzee's body, creating a mixed human-ape consciousness, and Rachel is torn between love for a man and love for a chimpanzee. The title story, Ursula K. Le Guin's impressive novella "A Woman's Liberation," is the book's most overtly feminist work; a multilayered, perceptive examination of politics (of several sorts) and freedom, it follows a woman's journey from slavery to liberty across two planets.
The anthology's subtitle, A Choice of Futures by and About Women, describes the contents perfectly: stories written by women about strong, intelligent female lead characters, set in the present and the future, on Earth and on distant planets. A Woman's Liberation is a superior collection of modern SF stories accompanied by an insightful introduction. --Cynthia Ward [via]
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