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› Find signed collectible books: 'Alfred Kazin's America: Critical and Personal Writings'
Over the course of sixty years, Alfred Kazin's writings confronted virtually all of our major imaginative writers, from Emerson and Emily Dickinson to James Wright and Joyce Carol Oates -- including such unexpected figures as Lincoln, William James, and Thorstein Veblen. It is fair to say that in his books, essays, and reviews, Kazin succeeded Edmund Wilson as the secretary of American letters, the one who kept closest track of its proceedings, its history, its symbiotic relationship with American society, and its relations with other Western literatures. He did so out of a particularly passionate concern for the significance and well-being of our literary heritage. The America that was mostly a political and cultural position-taking for his fellow New York intellectuals was for Kazin a lifelong possession and a complex fate. His working title for his final book, God and the American Writer, which dealt mostly with nineteenth-century authors, was "Absent Friends."
At the same time this son of immigrant Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he typically put it, "the bitter patriotism of loving what one knows." To indicate the development of this charged point of view, Ted Solotaroff has selected material from Kazin's three classic memoirs to accompany his critical writings. These excerpts also provide the pleasure of his sharply etched portraits of the Brownsville, Greenwich Village, Upper West Side, and Cape Cod literary milieus and of such figures as Saul Bellow, Lionel Trilling, Edmund Wilson, and Hannah Arendt.
The selections in Alfred Kazin's America follow the course of his career. They are introduced by the editor's substantial essay, which connects the youth to the man and both to the critic, and draws upon Solotaroff's own relations with him. This close joining of the personal to the critical seeks to pass on and reactivate a great American critic's presence and legacy.
As our sense of the American past continues to dry up and threatens to blow away in the heavy winds of change, those writers who can make our heritage come alive again and challenge us become all the more essential. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that takes us back to Emerson and forward through our literature to the better part of our own Americanism.
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› Find signed collectible books: 'The American Earthquake'
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› Find signed collectible books: 'An American Procession'
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› Find signed collectible books: 'Bright Book of Life: American Novelists and Storytellers from Hemingway to Mailer'
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› Find signed collectible books: 'Bright Book of Life:American Novelists and Storytellers from Hemingway to Mailer: American Novelists and Storytellers from Hemingway to Mailer'
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› Find signed collectible books: 'Call It Sleep : A Novel'
› Find signed collectible books: 'F. Scott Fitzgerald: The Man'
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› Find signed collectible books: 'God and the American Writer'
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› Find signed collectible books: 'The Inmost Leaf: A Selection of Essays'
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› Find signed collectible books: 'A Lifetime Burning in Every Moment: From the Journals of Alfred Kazin'
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› Find signed collectible books: 'McTeague : A Story of San Francisco'
An unflinchingly realistic portrayal of the moral descent of a San Francisco dentist, McTeague, first published in 1899, helped to propel American literature into the twentieth century. The novel glows in a light that makes it the first great tragic portrait in America of an acquisitive society, writes Alfred Kazin in the Introduction to this Modern Library Paperback Classic. McTeagues San Francisco is the underworld of that society, and the darkness of its tragedy, its pitilessness, its grotesque humor, is like the rumbling of hell. Nothing is more remarkable in the book than the detachment with which Norris saw ita tragedy almost literally classic in the Greek sense of the debasement of a powerful manand nothing gives it so much power. [via]
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› Find signed collectible books: 'New York Jew'
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› Find signed collectible books: 'On Native Grounds: An Interpretation of Modern American Prose Literature'
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› Find signed collectible books: 'The Open Form: Essays for Our Time'
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› Find signed collectible books: 'Our New York'
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› Find signed collectible books: 'The Portable Blake'
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› Find signed collectible books: 'Sister Carrie'
Sister Carrie, Theodore Dreiser's revolutionary first novel, was published in 1900--sort of. The story of Carrie Meeber, an 18-year-old country girl who moves to Chicago and becomes a kept woman, was strong stuff at the turn of the century, and what Dreiser's wary publisher released was a highly expurgated version. Times change, and we now have a restored "author's cut" of Sister Carrie that shows how truly ahead of his time Dreiser was. First and foremost, he has written an astute, nonmoralizing account of a woman and her limited options in late-19th-century America. That's impressive in and of itself, but Dreiser doesn't stop there. Digging deeply into the psychological underpinnings of his characters, he gives us people who are often strangers to themselves, drifting numbly until fate pushes them on a path they can later neither defend nor even remember choosing.
Dreiser's story unfolds in the measured cadences of an earlier era. This sometimes works brilliantly as we follow the choices, small and large, that lead some characters to doom and others to glory. On the other hand, the middle chapters--of which there are many--do drag somewhat, even when one appreciates Dreiser's intentions. If you can make it through the sagging midsection, however, you'll be rewarded by Sister Carrie's last 150 pages, which depict the harrowing downward spiral of one of the book's central characters. Here Dreiser portrays with brutal power how the wrong decision--or lack of decision--can lay waste to a life. --Rebecca Gleason [via]
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› Find signed collectible books: 'A Walker in the City'
In A Walker in the City, Alfred Kazin recalls his childhood in the Brownsville section of Brooklyn with such tactile specificity that readers, too, will smell "that good and deep odor of lox, of salami, of herrings and half-sour pickles" that emanated from the neighborhood pushcarts. His story is set in the working-class Jewish community of New York City in the decade preceding the Great Depression, but this classic memoir of the first-generation American experience resonates universally. Kazin depicts his younger self as a smart, unhappy kid who dreamed of escape from a confining local landscape. He found in books the road map to a freer territory. In Kazin's case, this was "the city" ("everything just out of Brownsville") whose glamorous institutions--the New York Public Library, the Metropolitan Museum, the Brooklyn Botanic Garden--spoke of an American past and an intellectual community that this son of eastern European immigrants was determined to make his own. (And he did, with his pioneering 1942 critical work, On Native Grounds, published when he was just 27.) Yet Kazin came to understand that the roots he had been so anxious to tear up were the source of his deepest identity. His loving portrait of his past acknowledges the crucial importance of belonging, even as it affirms the compelling necessity of escape. What could be more American? --Wendy Smith [via]
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› Find signed collectible books: 'Writers at Work, Third Series'
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